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If you’ve listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill’s “Everything Is Everything” and might as well be considered Kanye West’s sidekick, having assisted the producer and MC on several sessions — Jay-Z’s “Encore” and Slum Village’s “Selfish” being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims “I’ve got something new,” you’ve also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend’s over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That’s because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he’s no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003’s Live at SOB’s New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It’s a given that Legend is destined to make at least two others that top it.

He is the voice of people who have an informed perspective. The Grammy Nominated self proclaimed neo soul r&b hippie rockstar, Raheem Devaughn, understands that progress requires the ability to be fearless. On October 15, 2011 alongside colleague/friend/America’s profound thinkers, Dr. Cornell West, and 18 other participants, he was arrested on the steps of the United States Supreme Court for protesting with Occupy DC. As he described his experience as one of the most enlightening moments of his life, it fueled a fire that’s been brewing to be a catalyst for social change. Often compared to Sam Cooke and Marvin Gaye, Raheem has always included a socially concious message in all of his music. To bring awareness to be the change one wants to see, Raheem Devaughn and DJ Money presents “The Freedom Fighter” featuring all of his socially concious B-Sides with appearances from : Jill Scott, DJ Jazzy Jeff, Min. Louis Farrakhan, Dr. Cornell West, Anthony Hamilton, Chrisette Michele, and others.
credits
released 01 November 2011

The Great Gatsby soundtrack out May 6 (International) / May 7 (US).
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Film in cinemas May 10 (US) / May 16 (UK)

"Infidelity" - taken from the album "Friends, Lovers, Rivals" - Out now. Visit www.mutineersofficial.tumblr.com/melodies to purchase.